Chuck Berry (God bless him) is one of the finest lyricists known to rock & roll. Chuck also plays inimitable, dynamic, guitar-driven old-school rhythm & blues. Except Chuck’s style isn’t quite that inimitable. That’s because, in April 1949, sounding very much like the Chuck Berry we all know and love, someone else released a song that was pure Chuck Berry.
Goree Carter preceded Chuck Berry
He was Goree Carter, an 18-year-old black electric guitarist from Houston, Texas, and his record was ‘Rock Awhile’. It was a track that helped, perhaps, change the very nature of rock music. Rock Awhile was written and performed by Carter with his jump blues band, The Hepcats. The song did everything a groundbreaking rhythm & blues record is supposed to do, except chart highly.
Wrote respected rock author, Robert Palmer, in his 1992 book, Church Of The Cosmic Guitar: “Rock Awhile in April 1949 … has been cited as a strong contender for the title of first rock and roll record and is a much more appropriate candidate than the more frequently cited, ‘Rocket 88’ (1951), by Ike Turner. The intro to Rock Awhile also resembles those in several Chuck Berry records from 1955 onwards.”
Again, Albert Ammons with Boogie Woogie Stomp in 1936 (see archive), would dispute that Rock Awhile was the world’s first rock & roll record. But, without doubt, Goree Carter was yet another unsung musical pioneer way ahead of his time. As
we all know, the world is, unfortunately, full of such musicians.
Carter, whose first release was Sweet Ole Woman Blues in 1949, recorded for several labels in the early 1950s, but last recorded in 1954. He continued to play
occasional local gigs in Houston with his last live performance being in 1970.
Goree Carter died in Houston, aged 59, in 1990.
Rock Awhile, from 1949, goes onto my list of the world’s first true rock & roll releases. Whether it’s number seven, eight, nine or ten is yet to be determined.
Once upon a time the BBC made a habit of making world-class television, but I’m afraid those days are long gone. They can’t even get the sound quality right these days, let alone all the naïve writing creeping in, clueless direction and unrealistic plot lines pandering to political correctness. I put it down to young executives with no life experience controlling…
BluesMuse11 The young (very young) Irish old-style R&B band, The Strypes, performed in London recently. I tweeted their praises, but forgot to plug them in my blues blog. The Strypes are reminiscent in sound and energy to the great English bands of the 1960s like the Stones, Pretty Things and Yardbirds and Northern Ireland’s Them,…
Updated 31 May 2016 Robert Johnson, immaculately-dressed, like all bluesmen back then Robert Johnson was the unluckiest of blues performers. As with other giant talents, ranging from Vincent Van Gogh and Franz Kafka to Galileo and Edgar Allan Poe, Robert Johnson became revered only after his death. That he’s known at all is probably due to the appreciation of Johnson’s…
Violent Femme, Brian Ritchie, curates MONA FOMA We were recently in Tasmania, that one-time convict isle at the end of the earth that changed its name from Van Diemen’s Land in 1852 in an attempt to whitewash away the stain of its dark history. Today, Tasmania is home to probably the hippest museum in the…
” I know those guys must be smart to use computers in such a way. Just not the same.” nora j mckiddie (@mckiddie_j), January 18, 2014, Michigan, USA. I don’t know much about heavy metal drumming, but this post is about exactly that. My experience in this area stretches to witnessing live performances by Led…
Who doesn’t like Prince, the tiny American pop star with a gigantic reputation? Sadly, some friends Lianne Le Havas. Prince played at her house visiting London recently didn’t fancy Prince enough to wait in the queue outside a small venue with me in London’s Camden as we chanced upon it a few weeks ago. Admittedly…