Before The Beatles’ first UK hit, back in 1962, an 18-year-old English rhythm & blues guitarist joined one of the most dynamic – but, mostly, now forgotten – of all English blues-rock bands. They were the Pirates, the band of the great, late Johnny Kidd. (see previous post).
Not just a giant of a man, but a giant of the electric guitar: Mick Green (left) with bassist Johnny Spence in the Pirates
The guitarist was Mick Green, a pioneering musician who played lead and rhythm guitar simultaneously, influencing, amongst others, Led Zeppelin’s Jimmy Page, The Who’s Pete Townsend and Dr. Feelgood’s Wilko Johnson. (See my post of 27 February 2014 on Wilko Johnson and Roger Daltrey’s poignant recent collaboration).
In fact, Wilko Johnson, hailed as one of the founding influences upon English punk, said he started off trying to emulate Mick Green. “Of course, I got my own style by getting it wrong,” Wilko said. And what a style Wilko Johnson has: aggressively marching around stage, stabbing and pointing his guitar like a machine gun – spewing out R&B and blues licks and scintillating solos like nobody’s business. And because England’s punks looked up to Wilko and Dr. Feelgood in the pub-rock venues of the 1970s, in turn, the punk movement discovered Mick Green.
Wilko’s book. He talks of Green’s influence.
I’d been reading Wilko’s book, ‘Looking Back At Me’, where he writes how he became obsessed by Mick Green’s guitar playing and once said to Green, “I think you’re the best guitarist in the world.”
When Wilko was an undergraduate at England’s Newcastle University in the 1960s, he says he spent much of his time seething with anger (about the public’s perception of England’s rock guitarists). Here’s a passage from his book (which I don’t, incidentally, agree with):
“Because of these bleeding students going around talking about how great Eric Clapton was. And I’m going, ‘He’s crap, he’s crap, he’s crap! There’s this one man – Mick Green!’ and they’re going, ‘Oh, Peter Green?’ (Founder of Fleetwood Mac – the 1960s blues band.) ‘NO, not Peter Green, MICK Green’. People didn’t realise and I had to evangelise”.
I suppose that’s what I’m doing now, evangelising, just like Wilko Johnson, about Mick Green. However somebody has to, if we’re to keep such an innovative rock guitarist’s name and memory alive.
As I said in the previous post, The Who’s vocalist, Roger Daltrey, gave up playing the guitar altogether, after witnessing how amazingly good Mick Green was. Daltrey had been watching Green play with Johnny Kidd and the Pirates in the 1960s. Here’s a clip of ‘Shaking All Over with Mick and the Pirates, at Reading (UK) in 1978. That’s bass player Johnny Spence singing, just in case you’re wondering. who took over vocals after Johnny Kidd’s death in a car crashing 1966.
A video of Mick Green playing Shaking All Over, an original Johnny Kidd and the Pirates song
Incidentally, I’ve just heard a track on the radio which I thought must be a
lost rock & roll classic, a record I was unaware of. Then I discovered it’s a totally new rock & roll track from Wilko Johnson’s new album with Roger Daltrey, so there you go: he’s still got what it takes.
When Mick Green died just before his 66th birthday in January 2010, Wilco Johnson wanted to get Jimmy Page involved with Green’s memorial concert at the 100 Club in London. On meeting, Page told Johnson, “We’re both got the same hero”. This, of course, was Mick Green.
Pirate Mick Green in his prime. Getty Images
So who was this incredible guitarist who inspired some of the greatest guitarists around? Born in Matlock, Derbyshire, in 1944, Mick Green grew up in Wimbledon, London. He started his musical career in 1956 in a skiffle trio, who were runners up to John Lennon’s Quarrymen in a 1950s battle of the bands competition in Tottenham, north London. In 1962, Green joined Johnny Kidd and the Pirates, leaving to join Billy J. Kramer and the Dakotas two years later. A spell with Cliff Bennett followed, as did writing four songs with Alan Lancaster for Status Quo, and supporting Quo on tour with his own band.
Following Johnny Kidd’s death in a car crash in 1966, Green reformed the Pirates in 1976 and continued gigging successfully with them until well into the 2000s. Indeed, as mentioned, the Pirates’ aggressive rock & roll made them a bit of a cult band with the punk generation during the 1970s. The Pirates thigh-high pirate boots are said to have inspired the aspiring Adam Ant, then a punk, into wearing similar outfits when the new romantic scene started up a few years later. Here’s another clip of Mick Green with the Pirates, this time on German TV in 1979. They’re playing the old Chuck Berry classic, ‘Johnny Be Good’.
Mick and the Pirates on German TV with Johnny Be Goode
But while Mick Green remained unknown to a large percentage of the music-listening public, especially outside Britain, those in the know knew exactly what Green was all about. When I say, those in the know, I mean some of the most famous international rock icons around. Paul McCartney rated Green highly and played with him often, including having Green in his band in 1999 when Macca returned to Liverpool’s (replica) Cavern Club to promote his ‘Run Devil Run’ album.
Here’s Mick Green backing Paul McCartney on UK TV in 2008. Also in the supergroup (to use that ancient term) is Deep Purple’s Ian Paice on drums and Pink Floyd’s David Gilmour on rhythm guitar.
Motorhead’s Lemmy Kilmister, also being a great Johnny Kidd and the Pirates fan, teamed up with Mick Green on a charity side-project in 1990 under the name Lemmy & the Upsetters, recording ‘Blue Suede Shoes’. Green and Lemmy wrote the flipside ‘Paradise’. Mick Green was also a long-term regular in Bryan Ferry’s band. Here’s a quote from Ferry’s website.
“Down the years Mick had plied his trade with many legendary artistes including, Tom Jones, Billy Fury, Billy J. Kramer, Robert Plant, Lemmy, Engelbert Humperdinck, Ray Charles, Chris Rea, Scotty Moore and D.J.Fontana. More recently, Green appeared on Sir Paul McCartney’s 1999 album, ‘Run Devil Run’ and Van Morrison’s, ‘Back On Top’, ‘Down The Road’ and the 2008 album, ‘Keep It Simple’. Mick played on almost every track on Brian Ferry’s album ‘Frantic’ and toured with Ferry throughout 2002.”
Mick played for many years with Bryan Ferry
A heart attack while playing with Bryan Ferry on stage in New Zealand in 2004 was, perhaps, a warning of things to come, but Mick carried on playing regardless. From 1999 to 2008, Mick Green toured with Van Morrison, contributing to many, if not all, of Van’s albums during that decade.
Said to be a modest, self-effacing man, built like a rugby forward, Mick Green taught guitar in his spare time, both privately and in schools. (Can’t see Jimmy, Jeff or Eric doing that, can you?)
Mick Green’s sons summed it up best, soon after he died. “Heaven will be louder,” they said.
“Hi Paul, I have just read your article on my late husband, Mick Green. It was a wonderful tribute and I am deeply touched. Thank you so much. Kind regards, Karen Green.” UK. 25 May 2014.
“Mick Green for all his great talent was modest, understated and totally self effacing.” The Triumphs (@RealTheTriumphs), UK. 25 May 2014.
OKLAHOMA CITY: HOME OF THE WORLD’S FIRST PUBLISHED BLUES UPDATED OCTOBER 12 2021 Hart Wand circa 1910 “Oklahoma City looks oh so pretty”, wrote Bobby Troup in 1946, while composing “Get Your Kicks (On Route 66)”. While a hit record for Nat King Cole that same year, “Route 66”, (as the song’s title…
“Fascinating!!! Where do you research this stuff???” Richard Wall @writinblues, September 20, 2013. “Awesome research.” nora j mckiddie @mckiddie_j, September 21, 2013. UPDATED October 15, 2021 BLUESMUSE35. Just like rock & roll, hoochie coochie was old-time African-American slang for sex. To most blues aficionados, the term is synonymous today with the blues great Muddy Waters,…
Handy’s Memphis Orchestra in 1918. Handy is third from right, back row Just as the first blues ever published (in 1912) was titled, “Dallas Blues”, so the first blues ever recorded (in 1914) was, “The Memphis Blues.” Unlike Dallas Blues, which was written and published in Oklahoma City, The Memphis Blues was actually written in…
BLUESMUSE28. How many blues lovers have wondered how this intriguing music of ours first gained its unique sound? As much as I tried, I could never see how the nuances of blues related to the frenetic music of old tribal Africa, no matter how many documentaries and music histories told me it did. About ten years ago,…
Updated: August 2nd, 2019. “Such a tradition that has been forgotten with different genres. Thank U for what YOU are doing to preserve that, Paul.” Western New York Blues Society (@WNYBluesSociety), March 19, 2014. Most people tend to associate Louisville, Kentucky, with bluegrass music, rather than the blues, but blues has far deeper roots in bluegrass country than…
“Best piece of documentation on my band done by an author or journalist. Thank you Paul Merry.” Nick J Townsend, WEAK13. BLUESMUSE33 First there was blues, but only after: · Ethiopian delineating in the 1820s and 30s · Minstrelsy from the 1840s to 1900s · The abominably-named coon songs of the 1880s and 1890s ·…
and Mick just imitated most of Joe Moretti (Taylor)’s parts – cf: “Shakin’ All Over” – ALL Moretti. Better fills (“lead”) than the later Green’s, too, IMO.
Very interesting info, Rod. Many thanks for the feedback. I always like to learn about great electric guitarists from the past. I’d better write a new post now about Joe Moretti being yet another great now mostly forgotten. Anything you know about Joe that I won’t find on the net would be most welcome. Watch this pages for a new Joe Moretti post.
Hey: his name is “Gilmour”.
G-I-L-M-O-U-R! I hate it if people make this mistake – especially when they pretend to be a fan of music. And Gilmour(!) played also some lead guitar on that event.
Having just come across this for an English class, I’ve been agreeing with my pupil that there’s no proofreading at all; consistent misspelling of the main character: Wilko!!!! Not Wilco; it’s written on the book cover. For such a praiseworthy article to have such lazy editing……
I have seen all the great guitar player s Mick was the best
I ever saw . and to have had the pleasure to work with him
Was one of the greatest highlights in my career
Many thanks for such positive feedback, Billy. I’m sure Mick’s family will be delighted by your comments. I remember your great hit singles in the 1960s and enjoyed them immensely.
I saw the Pirates at the Marquee in London in the 1970’s and to this day I remember how Mick Green had me spellbound with his truly electrifying 🎸 guitar playing….surging with power and energy…he gave it his all
Loved the band ❤️
Great stuff, Diane. I was a regular at the Marquee (and Speakeasy) in the early 70s but unfortunately never caught the Pirates. You have a blessed memory.
and Mick just imitated most of Joe Moretti (Taylor)’s parts – cf: “Shakin’ All Over” – ALL Moretti. Better fills (“lead”) than the later Green’s, too, IMO.
Very interesting info, Rod. Many thanks for the feedback. I always like to learn about great electric guitarists from the past. I’d better write a new post now about Joe Moretti being yet another great now mostly forgotten. Anything you know about Joe that I won’t find on the net would be most welcome. Watch this pages for a new Joe Moretti post.
Great Mick Green track, LL.
Hey: his name is “Gilmour”.
G-I-L-M-O-U-R! I hate it if people make this mistake – especially when they pretend to be a fan of music. And Gilmour(!) played also some lead guitar on that event.
Thanks for pointing out the misspelling. Now rectified.
Having just come across this for an English class, I’ve been agreeing with my pupil that there’s no proofreading at all; consistent misspelling of the main character: Wilko!!!! Not Wilco; it’s written on the book cover. For such a praiseworthy article to have such lazy editing……
Hands up. Unforgivable. I must have had the American rock band Wilco on my mind.
Wonderful!! Thanks for taking notice
I have seen all the great guitar player s Mick was the best
I ever saw . and to have had the pleasure to work with him
Was one of the greatest highlights in my career
Many thanks for such positive feedback, Billy. I’m sure Mick’s family will be delighted by your comments. I remember your great hit singles in the 1960s and enjoyed them immensely.
I saw the Pirates at the Marquee in London in the 1970’s and to this day I remember how Mick Green had me spellbound with his truly electrifying 🎸 guitar playing….surging with power and energy…he gave it his all
Loved the band ❤️
Great stuff, Diane. I was a regular at the Marquee (and Speakeasy) in the early 70s but unfortunately never caught the Pirates. You have a blessed memory.